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'Fright Night' - The Quest to Purify My Pop Culture Soul, vol. 22

Posted by Miserable Retail Slave on August 18, 2011 at 7:20 PM Comments comments (0)
by RFP


The Quest to Purify My Pop Culture Soul" is RFP's attempt to finally see all of the movies that he's wanted to see. Many of these are some of the most successful films in Hollywood. Some of them didn't make much at all. Chances are, you've seen most of these. Join in the discussion as RFP stops procrastinating and takes the time to experience these movies for the first time.


The Quest to Purify My Pop Culture Soul, vol. 22

'Fright Night' (1985)

starring William Ragsdale, Chris Sarandon, Roddy McDowell


 




With the upcoming remake starring Colin Farrell and Anton Yelchin due out in theaters on Friday (insert Rebecca Black's ode to that glorious day right here), I figured it was as a good a time as any to check out the original Fright Night.

Vampires are the hot trend in popular media right now, so it's natural that this '80s cult classic gets the remake treatment. Thankfully there's none of those sparkly, big-haired Twilight chuds in this flick. Just old fashioned, blood sucking demons from hell.

The story begins with Charley Brewster (William Ragsdale) getting fresh with his girlfriend, Amy, while his favorite program, a show called Fright Night, plays in the background. In between glancing at the TV and trying to get one past his cold fish girlfriend of a year, Charley notices his new neighbors carrying a coffin into their new home. Kid must have ADD. He really needs to stay on task.

Amy expertly deflects all of Charley's scoring chances, like future hall of fame goaltender, Dominik Hašek, AND then has the nerve to blow off Charley's amazement towards his mysterious new neighbors and their questionable furniture choices. 

It's at this point that Fright Night began to remind me of another, more recent film. There's no doubt that Fright Night begins as a riff on the Hitchcock classic, Rear Window, but it only uses that film as a starting point before launching off into another direction - the '80s teen horror genre.

The more recent film that I am thinking of also used Rear Window as a starting point, but then seems to follow Fright Night nearly scene for scene. Call it an homage, call it coincidence, call it plagiarism, but Disturbia starring that Decepticon slayer, Shia Lebeouf, was clearly influenced consciously or not by Fright Night.

Let's break it down.

Exhibit A

  • Fright Night -  New neighbors move in next door to Charley Brewster. The neighbors keep strange hours and their appearance in the neighborhood happen to correspond with the gruesome deaths of several young women.Charley takes it upon himself to spy on the neighbors. At one point he hides in the bushes to spy on them. 

  • Disturbia - Cale Brecht (LeBeouf) bides his time by spying on his neighbors due to a recent house arrest conviction. His new neighbor, Robert Turner (David Morse), keeps strange hours and unsolved murders of women started around the time that he moved in. At one point, Cale hides in the bushes to spy on him.
Exhibit B

  • One night Charley wakes up and looks into his neighbor's window. He sees his neighbor, Jerry (Chris Sarandon), about to make sexy time with a hot young thing. Charley watches as Jerry takes her top off, expose her neck, and rear back, fangs bared. Jerry happens to look up to stare straight at Charley. Charley freaks out and Jerry closes the curtains.

  • Cale wakes up to the sound of Turner's car arriving home. Cale watches through the window as Turner tries to seduce a young woman that he's brought home. Turner catches Cale spying on him, gives him the stinkeye and shuts the curtains.
Exhibit C

  • Charley watches the neighbor drag out a large garbage bag the next day, a bag that he assumes has the woman's body in it.

  • Ditto for Cale in Disturbia.

Exhibit D

  • Charley is shocked to find that his mom has invited Jerry into the house (a vampire no-no) to have a drink. Jerry gives Charley some not-so-subtle hints to knock it off and quit spying on him.

  • Cale is shocked to wake up and find his mom has invited Robert Turner into the house for coffee. He gives Cale some not-so-subtle hints to knock it off and mind his own business.

I could keep going, but, as you can see, the similarities are obvious. We could also comment on how Amy Peterson's borderline ridiculous/frightening vampire look seems to have been the template for Megan Fox's in Jennifer's Body. Who knew Fright Night was so influential?





At any rate, Charley has a vampire problem and the vampire knows that Charley knows that he has a vampire problem. Aside from getting vampire-repelling techniques from his "best friend" Evil Ed (who could easily pass for the Beavis half of the MTV duo), Charley does the only logical thing that he could possibly do: go stalk the hero of Fright Night, Peter Vincent, and ask him to help kill his neighbor. Because obviously an actor who can kill fake vampires has working knowledge on how to kill real ones.




I'm not going to describe the entire plot to you, but I will say that I enjoyed the approach that Jerry the vampire took toward dealing with his nosy teenage neighbor. Instead of killing Charley Brewster outright, the vampire systematically starts destroying his life. I mean, he turns Charley's best friend into a blood-sucker, makes out with his girlfriend and threatens to take her much coveted virginity. 

There's plenty of those amazing '80s era horror movie special effects in the finale of the film, the type of effects that looked amazing and relied on the knowledge and ingenuity of talented experts to create. i think a lot of the charm of modern horror and sci-fi has been lost because modern filmmakers rely too much on the crutch of computer generated effects.




The ending is one of those generic finishes where everything seems fine and dandy, but is it really? The little "twist" in the seconds before the credits doesn't even makes sense given how other events in the film have resolved themselves. I know that's vague, but if you watch this movie, giving at least 30% of your attention to watching it, you'll understand exactly what I'm talking about.


Has Some Part of My Pop Culture Soul Been Saved By Watching This Movie?

How much money did The J. Geils Band make for writing and performing the title song, "Fright Night" for this movie? Every movie in the '80s had to have its own signature theme song. Good God. This particular one is the worst soundtrack song I've heard this side of "Batdance". 

There's definitely some awful moments in Fright Night. Most of them revolve around the unbelievably annoying Evil Ed. There's the other questionable acting choice made by Chris Sarandon in his full vampire appearance. He adopts this very odd accent and talks in this hesitating stop/start way as if he's playing William Shatner having an asthma attack.

Overall, it's a decent waste of time. Nothing overly exciting, but not the worst movie ever made. I bought this movie on the cheap years ago and it had collected dust on my DVD shelf until this week. I wasn't that excited to see it then, I'm not that excited that I saw it now. It gets a big "eh" from me, but more towards the "eh, s'alright" side of the spectrum.

As for the 2011 Colin Farrell version of Fright Night, one can only assumed the sarcasm, gore, and sex appeal will be amped up for a newer, "hipper" generation. For example, the old fart Peter Vincent has been updated in this version to be a younger, more dashing character as played by everyone's favorite Doctor, the nerd magnet, David Tennant.





This feels like a movie that's somewhat out of place at the tail end of the summer blockbuster movie season. To me, it seems like a film that would do better business during the ramp up to Halloween in October. Then again, I was the guy that felt Captain America: The First Avenger should have came out as close to the 4th of July as possible. I don't get paid to make these business decisions and I'm no expert, so lets see how much business Fright Night actually pulls. 

The one thing I do now is that The J. Geils Band's "Fright Night" is, thankfully, not in the updated film. Instead, the producers roll with the contemporary Kid Cudi whose laconic flow in 'No One Believes Me' is miles beyond J. Geils, but still instantly forgettable.

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Saved or Failed: SAVED

The next attempt to redeem my pop culture soul happens next week.
 
If you have seen "Fright Night", your achievement badge  is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track your progress and show the world how geeky you really are.



-RFP





'Face/Off' - The Quest to Purify My Pop Culture Soul, vol. 21

Posted by Miserable Retail Slave on July 21, 2011 at 6:19 PM Comments comments (0)
by RFP


The Quest to Purify My Pop Culture Soul" is RFP's attempt to finally see all of the movies that he's wanted to see. Many of these are some of the most successful films in Hollywood. Some of them didn't make much at all. Chances are, you've seen most of these. Join in the discussion as RFP stops procrastinating and takes the time to experience these movies for the first time.



The Quest to Purify My Pop Culture Soul, vol. 21


"Face/Off"

Starring John Travolta and Nicolas Cage




Movies are nothing if not a reflection of the human condition, specifically the desires, fears and ambitious that all human beings feel at some point in their lives. There's not a person alive that hasn't felt the burning embers of envy toward another person's lifestyle. It could be money, property, significant other, education, body type, or career, but at some point we all experience the desire or wish to obtain something that someone else possesses.

There is an entire subsection of film devoted to the pursuit of becoming someone else. This subsection can be divided down into three categories.

1. The Pursuit of/ Regression of Age. This involves the main character regaining lost youth or gaining years overnight. (ex: Big; 13 Going on 30; The Kid; 17 Again)

2. Life Swapping. In this situation, Character A gains the appearance of Character B, and vice versa, so that each character experiences the other's life. The most popular version of this is the parent/child life swap. (ex: Freaky Friday - 1976 and 2003; Like Father, Like Son; The Change-Up; The Hot Chick)

3. The Gender Bender. Man becomes woman, woman becomes man. Whereas the first two categories are achieved via supernatural means (a mysterious game, a wishing well, etc), the characters in this category usually dress up like their gender opposite in order to obtain a particular goal. (ex: Mrs. Doubtfire; She's the Man; Tootsie; Some Like It Hot; Sorority Boys; White Chicks; Big Momma's House)


Face/Off clearly lies in the number two category, although the life swapping procedure isn't done via supernatural methods, but with the scientific method of lopping faces off and sewing them back on. 

Squandering the gift of a career revival that was given to him via Tarantino's Pulp Fiction, John Travolta stars as FBI agent, Sean Archer. Archer's sole obsession is to take down notorious terrorist, Castor Troy (Nicolas Cage). 

The obsession is personal as years earlier, a mustachioed Cage attempted to assassinate Travolta, but accidentally killed the FBI agent's young son instead.


Six years later, Archer finally corners Castor Troy. Nicolas Cage plays Troy with equal parts ham, overacting, and glee. His hammy flourishes tend to embellish otherwise ridiculous dialogue. In a less dedicated actor's hands, lines such as "I'm about to unleash the Biblical plague that 'Hell-A' deserves" might fall completely flat. 



After Archer's confrontation with Troy leave the terrorist in a coma, Sean believes his family can move and the memory of his lost son will finally be able to rest in peace. Unfortunately, the FBI discovers that Troy left a chemical weapon bomb somewhere in a populous area of Los Angeles. The FBI's bright idea: to have Archer infiltrate Troy's crew to find out where the bomb is hidden.

Let me say right now that the movie is an enjoyable summer popcorn action flick. I didn't hate this movie. But....the key plot point of Face/Off is pretty stupid.

In order to get in tight with Troy's crew, specifically his brother, Pollux, the FBI wants Sean to impersonate Castor Troy. But they don't want him to do it with elaborate make-up. They don't want him to play the part of some long lost friend. Nope, they want him to be Castor Troy by wearing his face like a hunter would wear the pelt of the coyote he just killed.

So while Castor is in a coma, they plan on cutting off his face and putting it on Sean's head. To do that, they have to cut off Archer's face and let it float in a jar of liquid until Archer can get the info they need. When he's done, they will just swap the faces back out. No problem.

The new Sean Archer, wearing a Nicolas Cage face, is put into a special prison where the inmates wear heavy metal boots and the floors are magnetized, so that he can get close to Pollux. Meanwhile, Castor Troy wakes up and completely flips out because, y'know, he doesn't have a fucking face. 

He forces the doctors to put Archer's mug over his faceless meat and kills them all to destroy any evidence that this procedure ever happened. That's when the shenanigans start to begin. Castor starts to use his newfound Danny Zuko face to take over Archer's life. Archer must escape from jail and convince the world that he's the real Sean Archer.


Has Some Part of My Pop Culture Soul Been Saved By Watching This Movie? Yes. There are plenty of ridiculous moments in this movie, but it still is a lot of fun. I already mentioned how I thought the face transplant idea as a viable option for going undercover was an idiotic plot device. 




Other cringe-worthy moments include the repeated use of the movie's title by a drug addled Cage-Archer, who is trying to fit in with Castor's old gang. "I want to take his face....off. Eyes, nose, skin, teeth. It's coming off." Someone needs to tell the screenwriter that "teeth" aren't part of a person's face. Yes, you can blame that slip on the fact that Cage's character is trippin' balls, but c'mon. 

The gunfight in a church with white doves flying around and religious imagery/metaphors being tossed around was a bit much. The climatic battle on top of a moving speedboat that just happens to avoid numerous piers and docks before running aground, flipping up, and exploding was the sort of dumb action that make certain critics cringe when they watch these types of films. 

Also, Sean Archer (Travolta) has this annoying character trait of swiping his hand over the faces of people that he loves. Get your filthy paws off my face, man.

One last complaint: the ending was a bit too tidy for my tastes. Not to ruin too much, but Archer ends up with his Travolta face back, his family's love, and a replacement son. Aw, happy endings. 

Despite all the complaints, I did enjoy this flick. Cage and especially Travolta do a good job mimicking each other's mannerisms and speech patterns. 



Saved or Failed: SAVED

The next attempt to redeem my pop culture soul happens next Friday.

 

If you have seen "Face/Off", your achievement badge "John Travolta's Floating Face" is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track your progress and show the world how geeky you really are.





-RFP

'The Wizard' - The Quest to Purify My Pop Culture Soul, vol. 20

Posted by Miserable Retail Slave on June 8, 2011 at 9:38 PM Comments comments (1)

by RFP


The Quest to Purify My Pop Culture Soul" is RFP's attempt to finally see all of the movies that he's wanted to see. Many of these are some of the most successful films in Hollywood. Some of them didn't make much at all. Chances are, you've seen most of these. Join in the discussion as RFP stops procrastinating and takes the time to experience these movies for the first time.


The Quest to Purify My Pop Culture Soul, vol. 20


'The Wizard'

starring Fred Savage, Jenny Lewis, Christian Slater, Beau Bridges



It was one of the biggest events to happen in my life up to that point. I was in 3rd grade and my entire school was abuzz about the upcoming weekend.


It wasn't one of those epic skating parties that the school regularly held at the appropriately named "Skateland".


"TGIF", Friday's "must-see" line-up of safe family comedies, Full House, Perfect Strangers, and Family Matters, was usually a promising topic of conversation every Monday morning at school, but this particular weekend wasn't that special. And the epic Hulk Hogan/Ultimate Warrior Wrestlemania match-up that would divide an entire class was still several months away.


The reason that everyone was excited for the weekend was the world premiere of The Wizard starring Fred Savage. It had zero to do with the fact that Fred Savage was in it and everything to do with the fact that the world's first look at Super Mario Bros. 3 was rumored to take place within the storyline of the movie.


In theory, this was an excellent marketing tool by the producers of 'The Wizard'. I'm here to testify that there wasn't much more important to an 8-year old boy than his Nintendo and, by extension, Mario. Then again, I wonder what came first: the story of 'The Wizard' or the idea to create a long-form advertisement promoting Nintendo products and giving a first-look teaser of the upcoming Super Mario Bros. 3.




At any rate, everyone was stoked about the movie coming out and everyone in my class was talking about it, but only one person ended up going during opening weekend. Apparently, that was the case all across America because the flick only made around $15 million at the box office, according to that ever reliable source of info, wikipedia.


The one kid did go, however,  was a celebrity for a day because a small magazine previewing the Super Mario 3 was passed out during opening night at the theater he went  to. It was passed around the class and read under desks and underneath folded arms all day. We were seeing amazing things, things we had never seen before in a game. It was like a Playboy for 8 year olds. 


I was only able to see the movie when it was released on VHS. I remember it being everything I had hoped it would be. It was kids leaving home (WITHOUT THEIR PARENTS) and going on this road trip to California to play video games. Plus, Fred Savage kissed a girl, which was an intriguing, yet not altogether strange concept for my 9 year old brain to comprehend.


The story begins as Corey (Fred Savage) breaks his autistic brother, Jimmy, out of a mental asylum to take him on a trip to California. "California", being the only word that Jimmy has said since he shut down after his twin sister drowned. Corey and Jimmy's father and brother (Beau Bridges and Christian Slater) chase after the boys and try to get to him, for some reason, before a guy that Jimmy's mother hired finds them.


Along the way, they meet up with a sassy red-head named Haley (Jenny Lewis) and discover that Jimmy kills at Double Dragon (50,000! You got 50,000 points on Double Dragon!), destroying high scores like they never existed. Haley convinces them to go to "Video Armageddon",  a video game competition for the best players in the country.


In the meantime, the boys and Haley train on various games and sleep in a junkyard. It's a new generation's version of THe Hustler and The Color of Money as Corey puts Jimmy up to hustling grown-ups for money in bouts of competitive gaming.


It's all fun and games until Lucas, the town video game champ, gets wind of Jimmy's prowess. He challenges Jimmy to a match. 


Lucas becomes the town's resident badass the moment he straps on the Nintendo Power Glove and it's on...shit gets real.




At any rate, Lucas becomes Jimmy and Corey's unofficial arch enemy. The video game competition is attended. Tears are shed, hugs are swapped. Hearts are warmed. But the most important thing is that the world gets to see Super Mario Bros. 3, which, 20 something years later isn't that impressive. 


Has some part of my pop culture soul been saved by re-visiting this movie?


Watching The Wizard all these years later, it's clear that the film is nothing more than an extended commercial for Nintendo. Maybe that wasn't the original intent while the script was being written or the movie was being produced, but that's certainly what it became.


It's a simple, coming-of-age type story that may have appealed to the kids of my generation, but would probably be lost on any subsequent generation.


Nearly everyone who appeared in this film went on (or continued) to have prolific careers, with the exception of the actor who played Lucas, the cardboard cut-out, stereotypical teenage badass of the time. The kid with the attitude, torn jeans and carefully feathered hair that plagued the less popular kids in every teen-oriented film from 1985-1993.


Fred Savage went on to make sweet love to Winnie Cooper, have a mole poked by Mini Me, and became a director on It's Always Sunny In Philadelphia.


Jenny Lewis went on to have a successful indie rock career, both solo and with Rilo Kiley and Jenny & Johnny.


Luke Edwards who played Jimmy went on to become a character actor in a hundred different movies and TV shows.


Beau Bridges continued to have a more talented younger brother, Jeff.


Christian Slater continued to squint his eyes and have a nasally voice all throughout '90s cinema.


SAVED OR FAILED: FAILED

 

Next time: The Crying Game


if you have seen The Wizard, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.




 

-RFP



'Junior' - The Quest to Purify My Pop Culture Soul, vol. 19

Posted by Miserable Retail Slave on June 1, 2011 at 8:45 PM Comments comments (4)

by RFP

 


The Quest to Purify My Pop Culture Soul" is RFP's attempt to finally see all of the movies that he's wanted to see. Many of these are some of the most successful films in Hollywood. Chances are, you've seen most of these. Join in the discussion as RFP stops procrastinating and takes the time to experience these movies for the first time.


 

The Quest to Purify My Pop Culture Soul, vol. 19


'Junior'


starring Arnold Schwarzenegger, Danny DeVito





Those same action heroes that we love to see break necks, destroy massive amounts of properties, and guilelessly steal the virtue of every big-breasted beauty within eye shot are the same action heroes that we love to see completely emasculated.


I talked about this before when I covered Schwarzenegger's The Last Action Hero, but the gist is this: at some point every action hero does a humiliating project that plays off their extreme masculinity by putting them in a dress or giving them an entire brood of kids to babysit or by getting them pregnant or etc.


Junior is the ultimate feminist equality dream given life in the form of a ridiculous, ill-conceived "comedy" that inexplicably earned $108 million worldwide at the box office. 


If I had to guess, much of that box office intake came from legions of delirious housewives, who marched to theaters to bask in the hilarious spectacle of a muscle-bound, alpha male finally being able to relate to the statement: "you don't know how it feels!!!!" 


You could even consider my guess to be an educated one considering I remember my grandmother rounding up a posse of women to see Junior and then standing on her pulpit and raving about the hilarity of a man having to deal with mood swings, exotic cravings, cramps, and morning sickness. "Every woman should see this," I remember her saying. I can just picture her in the audience, wildly pointing at the screen and choking out the words, "so true, so true" between hearty guffaws. 


She expressed her disappointment that men couldn't actually get pregnant and dismissed the entire male population as "sons 'a bitches," not realizing that she was also cutting down her entire gender in the process.


In Junior, Arnold Schwarzenegger plays Dr. Alex Hesse, a fertility doctor who has developed a drug called "Expectane" - a drug that is supposed to reduce the chances of a woman's body rejecting an implanted embryo thereby increasing her chances of getting pregnant.


Hesse's partner in this endeavor is Dr. Larry Arbogast, a gynecologist played by Danny DeVito. I know what you're thinking. Bringing in Arnold's old co-star from the movie Twins, a movie also dealing with scientists messing around with the reproductive processes, was a stroke of genius, right? The sight of the manly man, Arnold Schwarzenegger standing next to that Oompa Loompa, Danny DeVito is LOL-worthy as it is, but add to the fact that Arnold is PREGNANT and you have a recipe for a spleen-ripping, laughter-induced coma. Sarcasm, friends. Sarcasm.


The movie begins with a groan-worthy dream sequence, in which Hesse (Schwarzenegger) finds a baby in an otherwise deserted library. He picks up the baby while uttering this Hemmingway-esque dialogue: "There's a baby here! There must a mother!" The baby promptly pees all over the place and the hilarity fucking ensues.


At any rate, when the funding for Expectane is cut, Arbogast has the bright idea to implant Hesse with an embryo and have him take Expectane. The thinking is that if the product will get a man pregant, naturally companies will be lining up to bid on the drug because it would certainly get women pregnant.


After a certain point Hesse discovers that he is extremely happy being pregnant and wants to carry the baby to term. Arbogast reluctantly agrees to Hesse's choice and Hesse becomes a domestic housewife. Imagine the issues that baby will have when she grows up. 


If you're looking for more plot details, you're out of luck. Sure, Junior has a story and a plot, but it is threadbare. Junior is more of a premise film and I'm sure that's how it was pitched to the studios. The crux of the movie is the "joke" of a pregnant man and all of the wacky misadventures that revolve around that one idea. Haha, Arnold just said "My nipples are very sensitive." It's funny because he can bench press a Buick, but he's preggers so his nipples are sore. That's some Grade-A comedy.

 

Has Some Part of My Pop Cultural Soul Been Saved by Seeing This Movie?


The world is full of talented and creative people with original, groundbreaking ideas that never really get the chance to have their voice heard. 


And, yet, films like Junior continue to get made. 


Although, I'm not sure what's worse: the fact that these movies get made in the first place, the people that shelled out the cash to see it in theaters, or me, who sat there and wasted his time watching this through Netflix instant streaming. 


There is one genuinely horrifying part of Junior, one that makes Arnold's recent personal troubles all the more poignant - not so much for Schwarzenegger, but for the illegitimate child he (allegedly) fathered. At one point, Hesse has another baby-related nightmare, in which he's holding a baby. As the camera pans closer, you can see, through the magic of special effects, a computer-generated likeness of Arnold's face on the baby's body. What a disgusting and creepy abomination! If there is a God in heaven, any child sired by Schwarzenegger will be spared the indignity of resembling the Governator.




As far as this movie is concerned, it is probably in the Top 5 worst movies that I have ever seen. Like I said, it's 109 minutes of one broad comedy joke. Even that one joke - a pregnant man - isn't even that funny. It's more disturbing than anything. 


I was 13 when Junior was released and. although I was weirded out by the entire concept, I was also extremely curious as to hows and whys of how the movie even worked. How did he get pregnant? Why did he get pregnant? What orifice would the baby squeeze through in order to be born? Now, 17 years later, God help me, I know the answers to all those nagging queries. 


By the way, my mind was equally blown a few years ago when I heard about the man in real life who had gotten pregnant. My first response was "That's like Junior!" because my mind naturally gravitates toward pop culture followed by the questions that I had just expressed in the paragraph above. Turns out man in the pregnant man should be "man", depending on your view of things. Dude used to be a woman / still is, whatever. Long story short, that citizen has female plumbing and is capable of carrying children. Always great when pop culture carries over into real life.




Saved or Failed? FAILED


Film Count: 2,074 when last we met. +It's Kind of a Funny Story, + All About the Benjamins. + The Green Hornet, + Fast Five, + The Happening, +Due Date, + Chloe, +Thor, +Sunshing Cleaning, + Angus, + Harolld and Maude, + Knight and Day, + Jackie Brown, + Water World, + Jordan Rides the Bus, + Invasion of the Body Snatchers, + The House That Steinbrenner Built, + The Dilemma, +The King's Speech = 2,093 films that I have seen in my lifetime.


I promised you a review of Avatar...where did it go? You'll find out. Some big news in the next few months about this column, if all the stars properly align.


Next time: We take a trip back down the nostalgia highway and revisit The Wizard starring Fred Savage.


f you have seen Junior, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.



Like us on Facebook!!!!


- RFP


'Angus' - The Quest to Purify My Pop Culture Soul, vol. 18

Posted by Miserable Retail Slave on April 25, 2011 at 9:52 PM Comments comments (1)

by RFP

"The Quest to Purify My Pop Culture Soul" is RFP's attempt to finally see all of the movies that he's wanted to see. Many of these are some of the most successful films in Hollywood. Chances are, you've seen most of these. Join in the discussion as RFP stops procrastinating and takes the time to experience these movies for the first time.


The Quest to Purify My Pop Culture Soul, vol. 18 


Angus


starring Charlie Talbert, James Van Der Beek, Kathy Bates, George C. Scott




Angus is a perfect slice of mid-'90s pop culture, served up with a perfect mix of why-me angst and the sarcastic, hyper-intelligent musings and yearnings of a teenage outcast. 


Within the teen comedy genre, there are usually two different quests that the main teenage protagonist embarks on.


1. The quest to get laid.


2. The quest to win the heart of the most popular girl in school.


Angus, the titular character, is concerned with the latter option, in this case, the unobtainable cheerleader that he has loved his entire life, Melissa Lefever. The problem is that Angus has never worked up the courage to say a single word to Melissa, a plight that is subtly reflected in the film by Melissa's complete lack of lines until near the end of the film. For the most part, she remains the silent, unapproachable goddess of Angus' dreams. 


While Angus has the stereotypical qualities of the fictional high school underdog  - he's shy, fat, has a weird best friend, and is bullied by the jocks - he also possesses qualities that represent a refreshing change for a relatively stale movie genre.


Angus, while fat, has also been bigger and stronger than his peers for his entire life. He's a good football player and virtually immovable on the line. In an even better twist, Angus has never taken any crap from his main rival, Rick Sanford (Before James Van Der Beek was the star quarterback for the West Canaan Coyotes, he was the star quarterback for the Lake Michigan High Huskies). In fact, he's given Sanford a broken nose three times in his life.


Angus spends most of his time shaking his meaty fist at whatever cruel god has condemned to a sexless life filled with relentless sweating and a wiry ginger for a best friend who would one day become The Sherminator in American Pie.


Because Angus is a mid-'90s fictional construct, his futile lamentations about his non-existent social status are accompanied by the horrific riffs and strained, whiskey voices of generic alternative rock bands. The existential depression that one feels while taking stock of one's life can only be made worse by the song stylings of Goo Goo Dolls playing overhead.


Rick Sanford, whose grudge against Angus probably stems from the fact that the fat kid has given him a broken nose three time and, probably, a deviated septum, decides the best way to humiliate Angus is to have him voted the king to Melissa's queen at the upcoming school dance. 


It seems this devious bastard believes that Angus doesn't know how to dance and, thus, will make a fool out of himself during the king/queen dance. Oh, that evil son of a bitch.


What follows is a betrayal, a loss, a teary-eyed declaration of "you don't know how it feels", an impassioned speech that means everything in a movie, but would not even register in real life, and dreams coming true. 


This is also the film whose soundtrack the pretty great (and pretty popular) Green Day track, "J.A.R." So that's a thing.

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I feel I should also draw attention to the fact that the movie poster (and every single poster I've seen promoting Angus) boldly advertises that the film is "From the producers of Cool Runnings", Not sure how that would be a huge selling point for the general public to go see a movie, considering Cool Runnings is, you know, Cool Runnings, but I digress. I guess Cool Runnings was extremely popular for it's time considering I was forced to watch it around 12 times in elementary school whenever the teachers didn't feel like teaching.


Has Some Part of My Pop Cultural Soul Been Saved by Seeing This Movie?


I was a bit hard on the movie, but I actually liked it quite a bit. That's not surprising because I am a huge fan of the teen comedy genre. It's not actually required viewing, but it's a film that was obsessively watched by a number of my classmates in junior high and the ensuing high school years. 


As mentioned before, Angus isn't  a typical loser-outcast-pining-for-the-girl character. His sarcastic bantering with his grandfather is an entertaining part of the movie as is their shared creed: "Screw 'Em". 


The message to be yourself, no matter what other people think is a well tread theme in movies of this type. See also: beauty is skin deep, you can't judge a book by it's etc. There all represented here. 


Kathy Bates is also in this movie, portraying Angus' single mother. She stands around and doesn't do much. Or maybe she does.


Honestly, my brain dies a little and I see nothing but white whenever she came on the screen. My consciousness still hasn't recovered from seeing her completely naked in About Schmidt .


Saved or Failed? SAVED


Film Count: Well. It's been awhile. When last we met the count was 2,038. Instead of listing every flick I've seen in the ensuing downtime, let's just say that the count is at 2,074 films that I have seen in my lifetime.

 

Later this week, we get back to a flick that was supposed to be the next installment in this series: Avatar


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Read past installments of "The Quest" here!


If you have seen Angus, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.



- RFP



'Demolition Man' - The Quest To Purify My Pop Culture Soul

Posted by Miserable Retail Slave on March 1, 2011 at 8:13 PM Comments comments (2)

by RFP

'Demolition Man' - The Quest To Purify Pop Culture Soul, vol. 17

starring Sylvester Stallone, Wesley Snipes, Sandra Bullock, Dennis Leary, Rob Schneider




In the distant dystopian future of 1996 Los Angeles, America's most ruthless criminals are not put to death. They are not locked away in a jail cell for life. 


In Demolition Man's 1996 Los Angeles, they go the way of Walt Disney and Ted Williams - cryogenically frozen for a predetermined amount of time. Essentially, they are given a time-out and given behavior modification implants (they're pumped full of happy thoughts) while they "sleep" in order to rehabilitate them.


Is this really a punishment? 


Sure, you're frozen for 50 years. But you come out looking like you did the day you were put in deep freeze and, in your mind, it feels like no time has passed at all. You're family and friends may be gone, but if you used to be a murderer or rapist, you probably didn't have much of either in the first place.


John Spartan (Sylvester Stallone) is an officer who always gets his man, no matter what property damage is incurred. His peers call him The Demolition Man for this reason. He also looks like a GI Joe, but that's neither here nor there.



While trying to capture elusive drug dealer, Simon Phoenix (Wesley Snipes), Spartan accidentally destroys an entire warehouse filled with hostages.


He is charged with involuntary manslaughter and sentenced to serve the same amount of time as Phoenix in "cryostasis".


Really? A decorated police officer who has saved countless lives and put away numerous dangerous felons serves the same amount of time as a known murderer and major drug dealer?


I shouldn't mock the methods of 1996 Los Angeles. After all, the city (renamed "San Angeles") becomes a peaceful, virtually crime-free utopia - until August 3, 2032 when Simon Phoenix escapes his probation hearing and begins slaughtering his way through San Angeles.


You see, the police in 2032 are not equipped for dealing with any real crime. Anything bad is considered illegal. Using curse words or coarse language results in a fine, which would pretty much mean my fucking bank account would be in the fucking red most of the time.


Police use the power of verbal assertiveness and stern facial expressions instead of weapons to fight crime.


So when the first murder since September 25, 2010 occurs (that was last year. I remember it well. What a black day.), the decision is made to thaw out the only man to ever bring Phoenix down - John "the Demolition Man" Spartan.


Lieutenant Lenina Huxley (a very cute Sandra Bullock. As if there's any other type of Sandra Bullock) is paired with Spartan because she is addicted to 20th century culture. She surrounds herself with 20th century memorabilia and yearns for some excitement.


Spartan finds himself in a completely foreign world. Taco Bell has won the Franchise Wars, which must have been fought and decided in 1999 when I ate nothing but Taco Bell every day for three months. 


Demolition Man is less a movie and more a prophecy of things to come. The throwaway joke of President Schwarzenegger running America takes on a different meeting in 2011 as The Governator ends his term as governor of Cal-E-Four-Nyah. This joke was referenced again last year in another Stallone flick, The Expendables. In a scene dripping with '80s machismo, Stallone shares a scene with Schwarzenegger and Bruce Willis and says that Arnold's character "acts like he's president," a joke that went over my head, but that the rest of the theater thought was hilarious.


But the biggest change to hit the future is the one that rocks John Spartan the most. When the young Lenina becomes smitten with the Demolition Man in a mix of blind hero worship and wide-eyed awe at a historical artifact from her favorite time in history, Spartan learns that sex isn't the same as it used to be.


Gone is that pesky and disgusting physical contact. Instead, you hook up to a machine and imagine you have intercourse with the person across from you. Thanks, future. But I do that every day. It's called a computer, the internet, and all the time in the world.


Naturally, Spartan is outraged by this lack of getting some and lets his feelings be known with a hilarious bit of '90s specific dialogue that only Stallone could deliver properly as he schools Lenina in the art of old man sex slang. "Boning, the wild mamba, the hunka junka," indeed.


Maybe that isn't the biggest shock to Spartan's system, after all. Maybe it's the fact that sea shells have replaced the use of toilet paper in the future and Spartan has no idea how to wipe with them. 


Part of Demolition Man's fun comes from Wesley Snipes' over the top portrayal of Simon Phoenix. In this movie, Snipes channels a mix of the characteristics that he would later use as Blade, Dennis Rodman, and a bit of the Sidney Deane's cockiness (Wesley's character from White Men Can't Jump).


Has Some Part of My Pop Cultural Soul Been Saved by Seeing This Movie? Yes. It was a fun little movie with a decent idea behind it. According to that wealth of knowledge, wikipedia, the role of Simon Phoenix was originally offered to Jackie Chan and not Wesley Snipes. What a different sort of movie that would have been. Part of me would still like to see Jackie Chan and Sylvester Stallone mix it up onscreen. There's always The Expendables 2, right?

Saved or Failed? Saved

FILM COUNT: 2,032 after last time we met.

+ Demoliton Man, + Avatar, + Just Go With It, + Let Me In, + Inception, + Dinner For Schmucks = 2,038 movies that I have seen in my lifetime.

Next Friday: Avatar

If you have seen Demolition Man, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.


 

Next Friday: Avatar

'The Blues Brothers' - The Quest to Purify My Pop Culture Soul

Posted by Miserable Retail Slave on February 6, 2011 at 1:24 PM Comments comments (0)
by RFP

The Quest to Purify My Pop Culture Soul, vol. 16:

The Blues Brothers
starring John Belushi, Dan Akroyd, Carrie Fisher, Cab Calloway, Ray Charles, James Brown, Aretha Franklin




I never understood the mass appeal of John Belushi, mainly because I had never seen him in anything prior to the last couple of weeks. Honestly, I knew more of his younger brother, Jim Belushi, than anything that John had been involved in.

Belushi died in 1982 and, at this point, has been dead almost as long as he lived. Still, the legend of John Belushi endures. 



Wander any college campus and you're bound to see Belushi's image from Animal House on a t-shirt with the word "College" underneath. 

After watching Animal House and The Blues Brothers over the last two weeks, I can say that I understand the appeal, but I am not sure I can explain it. Belushi has some sort of likable charm, that special unknown charisma gene that causes people to shell out their hard earn dollars to see him. Adam Sandler has the same thing going for him these days. 

Gone are the days of the slapstick comedies aimed towards the college crowd (Billy Madison, Happy Gilmore, Little Nicky) in favor of the family-oriented broad comedies (Grown Ups). Some of that is Sandler growing up and his initial audience growing up with him. Some of it, I am sure, is cashing in.

At any rate, I had never wanted to see The Blues Brothers at any point, so wasn't sure what to expect. I was pleasantly surprised.

The movie follows Elwood and Jake Blues, two brothers from Chicago, who decide to reform their band after Jake experiences what he thinks is a God-given epiphany. 



There might be a chance that I saw parts of this movie before because I specifically remember the Blues Brothers referring to their only family, a nun who raises orphans, as The Penguin.

I also remember seeing the police chase through a mall, but I'm not sure whether or not I saw it from this movie or just remember doing it in Grand Theft Auto.

At any rate, the brothers Blues seem to make enemies around every turn while trying to reunite with the band, even though they seem to be oblivious to everything but their "mission from God". 

While driving around the streets of Chicago wearing their sunglasses (both day and night), they run afoul of Illnois Nazis, state troopers, a sassy Arethra Franklin, and a vindictive ex-girlfriend determined to kill Jake via bazookas, collapsing buildings, flamethrowers, and assault rifles. 

Along the way, the brothers manage to score some gigs, play some songs, and cause vast amounts of property damage. The record for the most cars being destroyed in a movie must belong to The Blues Brothers. 

Has Some Part of My Pop Cultural Soul Been Saved by Seeing This Movie?Yes. I really didn't expect to like this flick at all, but, surprisingly, I really dug it. It was a fun way to spend a couple of hours. And also I got to see Cab Calloway perform a song that I remember seeing from Sesame Street. I never knew who he was or what the song was, but I had always loved it and always remembered it.

Saved or Failed? Saved

FILM COUNT: 2,029 after last time we met.

+ The Blues Brothers, + Cyrus, + Year One, + Amos and Andrew = 2,032 movies that I have seen in my lifetime.

Next Friday: Demolition Man 

If you have seen The Blues Brothers, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.




'City of Angels' - The Quest to Purify My Pop Culture Soul, vol. 15

Posted by Miserable Retail Slave on January 29, 2011 at 5:47 PM Comments comments (2)

by RFP


The Quest to Purify My Pop Culture Soul, Vol. 15


City of Angels

starring Nicholas Cage and Meg Ryan




 

Not too long ago, Paulie Walnuts and I got into a long argument about Scott Pilgrim vs. The World (verdict: I love it, Walnuts: Not so much). One of his main points was that there was no reason that Scott Pilgrim should love Ramona Flowers, let alone engage in all these epic battles and literally risk his life for the right to date her, because there was nothing interesting about her and not much was revealed about her character other than she had 7 angry exes (I didn't agree with him in regards to this movie, but that's a debate for another time).


My response was that movies had been doing this for years, especially romantic comedies. It is a very rare occurrence that a movie establishes a potential love interest's personality in such a way that it makes that person seem worthy of pursuit. In most cases, the audience just accepts any movie love connection because:


a) it's part of the plot of the film


b) some element of a love storyline is present in any traditional fictional movie, so it is expected that the viewer will encounter such a scenario.


c) the majority of the world doesn't obsess over every plot element of Random Movie Z like many on the internet and, thus, no effort is made or even needed on the part of the filmmakers to make such fictional relationships believable.


Honestly, though, should every movie relationship captured on film be explored in such exhausting detail as to prove without a doubt that these characters are absolutely perfect together? Well, no. Because then there would be no time for plot or story. 


And, also, look at your life and all the people that you know. I bet there are more than a few that are in relationships that you don't completely understand. How many times have you said, "what does s/he see in him/her?" Sometimes people fall in love for no apparent reason. So do movie characters.


If you were to overanalyze a movie like "City of Angels" for example, you would go insane. There is no attempt to establish why Nicholas Cage's Seth falls for Meg Ryan's Maggie other than she looks in his general direction one day. There's not a lot of character development with Maggie. She's a surgeon. She has a dog. She rides a bike to work. She's fooling around with a fellow doctor.


That lack of character development is completely on purpose. There's no conceivable way that a character could be fleshed out enough in a two hour time span as to make an angel give up immortality, supernatural abilities, hearing music in every sunrise, and, oh yeah, HEAVEN just to get laid.


As far as popular fictional angels go, Seth is somewhat like Michael (John Travolta) in appearance (but without wings), but nothing like Christopher Lloyd in Angels in the Outfield. There's no need to wave your arms around like a fool. Rest assured, Seth is probably already lurking around in the shadows. He shares more with Death (Brad Pitt) in Meet Joe Black than anything. A supernatural being who yearns to touch and feel love and etc.


If Nicholas Cage's soon-to-be fallen angel, Seth, were a real person, he would be that creeper who checks your facebook page every two hours in order to obsess over every status update so he can pretend to know you. 


Seth plays the role of a voyeur for the first half of the movie, essentially stalking Maggie everywhere she goes. As she has a nervous breakdown in a stairwell after losing a patient, Seth stoops down and gets right in her face as Maggie bawls her eyes out.


Creepy, Sweet, or Heart-warming?


Seth eventually decides to show himself to Maggie, instantly making an impression by being mysterious and enigmatic. He pops up now and then and the two start a tentative courtship.


How will it turn out? One is supernatural and immortal, the other is human and ordinary. One escorts souls to heaven, the other tries to escort people to life.


Ah, but Seth meets a former angel in the hospital, one of Maggie's patients. Seems there's a loophole in the angel contract: like all human beings, angels also possess free will.


As the Seth's secret is revealed to Maggie, she dismisses angels in a horribly written and horribly acted line: "I cannot conceive of it" before storming away.


Since this is a vacuous romantic drama aimed at middle-aged housewives with asexual haircuts, naturally Seth decides to give up his angelic heritage to become a slovenly human with thinning hair who looks suspiciously like Nicholas Cage so that he can be with his soulmate (do angels have souls? do fallen angels have souls?)


*Spoiler alert for a 12 year old movie*


Seth gets to enjoy being human with his lady love for, like, ten minutes until the tragic, ironic tear-jerking twist. 


In one of the most ridiculous deaths I have ever seen (see also: Meet Joe Black - Brad Pitt getting creamed by one car, does a flip in mid-air right into another one), Maggie is riding her BICYCLE when a huge semi-truck hauling logs pulls out of a driveway or something and she runs right into it.


Now, listen: 


1. She's riding a BICYCLE

2. BICYCLES have brakes.

3. Brakes on bicycles tend to stop bicycles from moving rather effectively.

4. Most people, when pedaling a bicycle, move at an astounding rate of 5-10 mph. 

5. That's not very fast.

6. I'm just saying. She could've stopped in time.

7. Or jumped off. Bruises are better than death, most times.

8. A semi hauling logs? Overkill, right? A regular car would've worked, I think


Seth has to deal with the fact that he basically gave up immortality for nothing, but decides that the brief moments that he spent with Maggie were worth it. The chance to touch and feel is worth giving up Heaven. As Seth plunges into the ocean during a sunrise, a joyous smile on his face, his former best angel friend, Casio (like the keyboard, I guess) laughs his approval and it becomes clear that City of Angels is a love story.


But it isn't a love story as in romantic love for another person, it's a love story for living...the love of life and everything that comes with it.


Has Some Part of My Pop Cultural Soul Been Saved by Seeing This Movie? yeah, no...I could have done without this. Really not that great. Wasn't expecting great and my expectations were met. 


As mentioned during my article on Armageddon, City of Angels also features a song that has outlasted the original medium that birthed it. "Iris" by the Goo Goo Dolls is without a doubt their biggest hit and by no means my favorite song that they have written ("Long Way Down"), but it is one of those tunes that will be haunting radio stations for decades. 


Since we're on the subject of music...did they really have to include Sarah Mclachlan's "In the Arms of an Angel" in the movie? It's a bit obvious and actually made me roll my eyes. It also made me want to donate large sums of money to sick children in third world countries. 


Kinda upset that Seth didn't take Maggie out on a date to a diner, where she fakes an orgasm and an old lady sitting nearby declares in a sassy tone, "I'll have what she's having."


After this film, Nicholas Cage switches from Heaven to Hell, starring in Ghost Rider, the story of a man selling his soul to Satan, and the soon-to-be released, Drive Angry, the story of a man escaping Hell to take some vengeance and, by the looks of it, a Ghost Rider rip-off.


Saved or Failed? Failed


FILM COUNT: 2,028 after last time we met.


+ City of Angels = 2,029 movies that I have seen in my lifetime.


Next Friday: The Blues Brothers 


Check back Wednesday, too. There may be something. Or not. Who Knows?


If you have seen City of Angels, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.




 

"Bill and Ted's Excellent Adventure" - The Quest to Purify My Pop Culture Soul, vol. 14

Posted by Miserable Retail Slave on January 25, 2011 at 8:30 PM Comments comments (1)
by RFP

The Quest to Purify My Pop Culture Soul, vol. 14

Bill and Ted's Excellent Adventure
starring Keanu Reeves, Alex Winter, George Carlin



"Bill, strange things are afoot at the Circle K"

If you ask me, time travel is a vast waste of time. Let's go back in time and see how things used to be. Yeah great. 3 channels on every TV and not a wireless hot spot to be found. Marty McFly taught me that if you wind up in the past, your future mother will inevitably be right there waiting to get fresh with you. 'Scuse me whilst I throw up in my mouth.

Or let's go to the future. If I know anything from obsessive pop culture consumption, it's that the future is certain to become a post-apocalyptic nightmare. You can pick your poison. It could be due to nuclear war, an unstoppable plague, aliens, or technology gone wild.

The timeline is nothing to trifle with. Unless, of course, you happen to have a very important history project due. Then, by all means, go ahead, time travel, and pluck various historical figures from the timestream in order to avoid doing any sort of real work or research.

After watching Bill and Ted's Excellent Adventure for the first time in approximately 15 years, my mind was swimming with all the ways that Bill S. Preston, Esq. (Alex Winter) and Theodore "Ted" Logan (Keanu Reeves) had horribly mangled the timestream.



Bill and Ted's adventure most excellent begins when a man named Rufus (George Carlin) arrives in a time-traveling phone booth on the eve of an important history report for two high school slackers, content in rocking out in garages and dreaming about recruiting Eddie Van Halen for a triumphant music video.

Ted has one last shot to pass his history class. If Ted fails the class, his father will send him off to military school. Bill and Ted then use the phone booth to travel the circuits of history and gather important historical figures for the presentation of their history report.

Why would the man from 2688 AD care about this?

Because Bill and Ted are destined to form a band called the Wyld Stallyns, which becomes then becomes the foundation of society in the future. The Two Great Ones make music so great that it ends war and hunger. It aligns the planets and makes contact with aliens possible.

I really wonder if Bono saw Bill and Ted in 1989 and was like, "That's what I want U2 to be like! I can save the world like Bill and Ted!"

Here's what really bothers me. Rufus, indirectly, is the reason his future turns out the way it is. All the peace and prosperity. Without his involvement, one gets the impression that Bill and Ted would undoubtedly fail this report, Ted would get shipped off to military school and the Wyld Stallyns would never happen. 

So do you think there was a Book Of Rufus in 2688? Almost like a religious text proclaiming Rufus as a prophet of some sort. The day he leaves to help Bill and Ted is probably a holiday. 

Did Rufus live a rich and privileged life, kept from harm and pampered beyond belief because he indirectly turns the world into utopia?

How do you even grow up without having a nervous breakdown if you're Rufus and all the history books say you help The Great Ones achieve their enlightened statuses as ROCK GODS.

Not only that, but Rufus plucks the Princesses Elizabeth and Joanna from a medieval era because they were to become the two other members of the Wyld Stallyns.



So who should be regarded as the saviors of mankind? The Wyld Stallyns who make the music or Rufus who is the reason the music could be made?

Of all things that could be fashioned into a device used for time travel in the future, why use a phone booth, which would be horribly outdated and extinct in 2688? You could argue that it was made that way in order to blend into 1989 San Dimas, California. 

Doesn't really work in 13th century Mongolia now does it?

For a time there, all these historical figures were running around modern day America. Doc Brown would have a fit. Then again, Doc Brown is also a cheat and doesn't follow his own rules. He did read the note that McFly slipped him in the '50s, warning him of his impending demise some 30 years in the future.

It would seem like Abraham Lincoln would be smart enough to read a book in order to see how his presidential career goes. I mean, what if Genghis Khan slaughtered some random bystander? If it was the wrong guy, it could cause a domino effect causing Rufus to disappear from existence and, eventually, the conquering of the world by intelligent apes. 

Bill and Ted's Excellent Adventure is still a fun little movie, even though it wasn't as awesome as I remembered it being. 

Unlike Sean Penn, who left Spicolli far behind in Fast Times at Ridgemont High, there seems to be a piece of Ted in everything that Keanu Reeves has done since his first major role.

From The Matrix to The Devil's Advocate to Speed, that stilted surfer-accent seems to haunt Reeves' every performance. I actually consider Keanu Reeves' most organic performances to be in Bill and Ted's Excellent Adventure and Point Break. 

Now seemed to be the perfect time to revisit Bill and Ted as both Alex Winter and Keanu Reeves have been openly discussing the possibility of revisiting the characters for the third time, possibly in 2014 for the original film's 25th anniversary. 

Does a movie featuring 50 year old Bill and 50 year old Ted wrestling with issues of mortality and old age sound appealing to you? Yeah, me neither. Or yeah, me too. Pick the answer that applies to you.

Thank God, the world is going to end in 2012 so we really don't have to worry about it. Unless John Cusak saves humanity. Damn you, Cusak!

Has Some Part of My Pop Cultural Soul Been Saved by Revisiting This Movie? Eh. In my mind, Bill and Ted hasn't aged well. But, I do remember liking it when I was younger. 

Saved or Failed? Failed

FILM COUNT: 2,023 after last time we met.

+ The Men Who Stare at Goats, + Starman, + Roxanne, + Alice in Wonderland, + National Lampoon's Animal House = 2,028 movies that I have seen in my lifetime.

Make sure you check back in on Friday for our 3rd installment of the week. Friday, I'm gonna take my first look at City of Angels.

If you have seen Bill and Ted's Excellent Adventure, your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.
 

'Lethal Weapon' - The Quest to Purify My Pop Culture Soul

Posted by Miserable Retail Slave on January 23, 2011 at 9:04 PM Comments comments (3)
by RFP

The Quest to Purify My Pop Culture Soul, vol. 13:

Lethal Weapon (1987)
starring Danny Glover and Mel Gibson



 

Can a successful analysis of Lethal Weapon be completed without drawing the extremely obvious parallel between the real-life, sudden insanity of Mel Gibson and the manic-depressive, psychopath that Gibson plays in the popular buddy cop series?


Um. Probably not.


Nonetheless, I plan on ignoring the fact that Mel Gibson has transformed into a hilarious caricature and instead concentrate on the movie at hand. The fact that Mel likes to engage in lengthy, ridiculous rants with his ex girlfriends and star in movies featuring beaver puppets should not tarnish the memory of Lethal Weapon.


For the record, I also plan on ignoring the fact that Gary Busey, who plays one of the main bad guys, the unfortunately named Mr. Joshua, is also batshit crazy. That may be because of his motorcycle accident. Or is it a fictional curse that I shall make up right now....the Lethal Weapon curse. All who starred in the movie shall become unreasonably insane. Watch out, Danny Glover. 


The central gimmick of every buddy cop movie ever made is that the two main characters must be so completely different that they probably have no business working together and, under any other circumstances, would never be friends outside of their occupation.




That fact is driven home right at front. Danny Glover's Sgt. Roger Murtaugh is shown taken a bath at home, when he is rudely interrupted by his wife kids, enthusiastically wishing him a happy birthday. He lives in a beautiful home, with a brand new addition being worked on, in a quiet neighborhood.


In contrast, Mel Gibson's Sgt. Martin Riggs wakes up alone, his only companion a dog and the warm beer he chugs for breakfast. He lives in a trailer on the beach, away from everyone. Riggs' wife was recently killed in an accident leaving him broken and suicidal as shown during his death march up to confront a sniper. 




There you have it. Murtaugh = Loving, family man and by-the-book officer. Riggs = Loose Cannon, unstable. The only thing the men have in common: they're pretty great officers, albeit in their own unique ways.


Riggs and Murtaugh's relationship is established right at the beginning of their partnership.  Murtaugh is lamenting is lousy luck being stuck with such an undesirable partner, leading to this dialogue.


Murtaugh: God hates me. That's what it is.

Riggs: Hate him back; it works for me.


It's a great little character-building exchange and one that makes this series of movies work. No one really cares about the action in these particular movies; they care about how the characters react to the action around them. It should also be said that the characters wouldn't matter at all, if Mel Gibson and Danny Glover didn't have such a likable chemistry together. 


Every few years, a new franchise copying the Lethal Weapon formula pops up, looking to achieve the same sort of success. Some of them succeed ("Rush Hour") and some fall miserably short ("Hollywood Homicide" starring Harrison Ford and Josh Hartnett, "Cop Out" starring Bruce Willis and Tracy Morgan). 


Recent news suggests that Warner Bros is considering rebooting the franchise because that's how Hollywood rolls these days. The last installment appeared in 1998, so obviously Lethal Weapon has completely disappeared from the world's collective mind. Regardless, if this remake does happen, the actors involved will have a hard time filling the well established shoes of Riggs and Murtaugh.


Has Some Part of My Pop Cultural Soul Been Saved? Hell yeah. I probably enjoyed Lethal Weapon way more than I should have. I was so enamored that I watched the second and third installments the next day.


Saved or Failed? SAVED


FILM COUNT: 2,013 after last time we met.


+ How Do You Know, + True Grit, + Lethal Weapon, + Lethal Weapon 2, + Lethal Weapon 3, + Blood Into Wine, + Superman/Batman: Apocalypse, + Surburbia, + Don't You Forget About Me, + Little Fockers = 2,023 movies that I have seen in my lifetime.


Blame a mix of laziness and a busy personal life for a lack of updates this month. You can also look at the debut of our award-winning (not really) podcast as adding to the lack of free time. To make up for it, there's going to be 3 installments of The Quest this week. Next one is Wednesday. We revisit "Bill and Ted's Excellent Adventure"


If you have seen Lethal Weapon your achievement badge is below. Create a folder on your facebook page titled "Film Geek" and save the image to that folder. You'll be able to track you progress and show the world how geeky you really are. the world how geeky you really are.

 





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One Guy's Quest To Watch All The Movies You've Already Seen

The Bad, The Awful, The Ugly

We watch bad movies, so you don't have to.


This week: 'Phantoms'



Paulie Walnuts Says: SEE THIS MOVIE!